The Book That Will Not End
I’ve been working on this story (UP TO THE CHALLENGE Book 2 in Anchor Island series) since last summer and the end is so close, I can see it shining bright and happy in the distance. But that distance is the problem. The more I write, the more the distance seems to grow.
If you aren’t a writer, you’re probably thinking, “Why can’t she just end it if she wants to end it?” Oh, if only it were that easy. You see, the story ends when it ends and I really don’t have much say in that. Sounds strange, I know. I definitely would have considered a statement like that quite loony before undertaking this writing gig myself.
But this is also good. At least for me. You see, I’m not very good at writing endings. Most writers hate the middle, but I love it. That slide into THE END is the one that gives me fits. I tend to pull my punches, get through the ugly black moment as quickly as possible, have them make up, and BOOM we’re done.
You see the problem here. For some readers, that black moment is the best part. That’s the scene they’ve been dying to reach, the pay off for the time they’ve given to the story. You can’t rob the reader of that angst and heartbreak. At least not too many times before they stop bothering with you at all.
So I’m looking at this as progress. It’s taking this long because I’m not pulling punches and rushing. And in the end, the book will be better if I let it fall onto the page how it will. Still 4 or 5 scenes from the end, all riddled with angst and a couple should induce tears if I write them as I imagine them in my head. (One sad tears and the other happy tears.)
I will hit THE END by Sunday. That is my self-imposed deadline. Which is really non-negotiable since my contract-induced deadline is six weeks after that. In the meantime, the cover for my debut novel MEANT TO BE is under construction. I’ve seen a potential version and can I just say, THIS IS SO EXCITING! As I typed to my editor, “It’s a book. With my name on it. Heh.”
Understated much? Do you read for the black moments? The blacker the better? Is the happily-ever-after as satisfying if the heartbreak isn’t dark enough?
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